In 2005, Khan posthumously received the "Legends" award at the UK Asian Music Awards. As of 2001, he held the Guinness World Record for the "Most Qawwali Recordings", having recorded over 125 Qawwali albums before his death. In 1997, he was nominated for two Grammy Awards, for Best Traditional Folk Album and Best World Music Album. In 1987, he received the President of Pakistan's Award for Pride of Performance for his contribution to Pakistani music. He is widely considered to be the most important Qawwal in history. By surveying the forms of listening that are structurally provided by the textual discourse, semiotics investigates the destiny of the musical and religious meanings of Qawwali in relation to the process of intercultural translation. In this way, semiotics offers an analytical standpoint alternative to the postmodernist approach to postmodern cultural phenomena. In order to discern the conditions of significance, semiotics reconstructs the relation between text and context of interpretation on the ground of structural pertinences. Nusrat's life and his artistic vicissitudes show the postmodern destiny of Qawwali as a religious kind of music that apparently went through a process of desacralization and profanation as a result of multiple interpretations by different audiences. It also travelled through time, transforming the traditional style of the ancient chanted poetry into new forms of musical expression. Inspired by mystic spirituality, Nusrat's music travelled through the East and the West, absorbing some of the features of the musical cultures with which it came in contact. This Muslim devotional music, which is prominent in South Asia, has been developed since the fourteenth century by the Sufi circles of the Chishti brotherhood in order to preach and communicate the teachings of the saints. Nusrat Fateh Ali Khan was a foremost singer of Qawwali. He started his career by singing at the age of 13, after the death of his father in 1964, Qawwal extraordinaire Nusrat Fateh Ali Khan has never had to look back. He is prevalently branded as “Shahenshah-e-Qawwali”, signifying “The King of Kings of Qawwali”. Amplifying the 600-year old Qawwali convention of his family, Khan is generally attributed with acquainting Qawwali music with worldwide groups of onlookers. Nusrat Fateh Ali Khan was a Pakistani legend Qawwal and a musician, the reverential music of the Sufis.
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